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	<title>tampakisdimitris</title>
	<link>https://tampakisdimitris.com</link>
	<description>tampakisdimitris</description>
	<pubDate>Tue, 29 Sep 2026 15:38:54 +0000</pubDate>
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		<title>Charmides</title>
				
		<link>https://tampakisdimitris.com/Charmides</link>

		<pubDate>Tue, 29 Sep 2026 15:38:54 +0000</pubDate>

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		<description>&#60;img width="1200" height="1507" width_o="1200" height_o="1507" data-src="https://freight.cargo.site/t/original/i/f0ee076800d1421a6bf3e61f4514f71d3b933dab50c8e32664e47e67f3cd3d0e/miami_tampakis_0008_miami.jpg" data-mid="252726186" border="0"  src="https://freight.cargo.site/w/1000/i/f0ee076800d1421a6bf3e61f4514f71d3b933dab50c8e32664e47e67f3cd3d0e/miami_tampakis_0008_miami.jpg" /&#62;&#60;img width="1174" height="1400" width_o="1174" height_o="1400" data-src="https://freight.cargo.site/t/original/i/bff562aa02a6b538301be4f782e1f7f710645107a5fff2f904e8759abac24684/miami_3.jpg" data-mid="252726181" border="0"  src="https://freight.cargo.site/w/1000/i/bff562aa02a6b538301be4f782e1f7f710645107a5fff2f904e8759abac24684/miami_3.jpg" /&#62;&#60;img width="1200" height="1507" width_o="1200" height_o="1507" data-src="https://freight.cargo.site/t/original/i/2330752b6975742fb74265dfefb5d3d46a1d153a8ac980748f7f761f7705cb12/miami_tampakis_0003_IMG_6396.jpg" data-mid="252726182" border="0"  src="https://freight.cargo.site/w/1000/i/2330752b6975742fb74265dfefb5d3d46a1d153a8ac980748f7f761f7705cb12/miami_tampakis_0003_IMG_6396.jpg" /&#62;&#60;img width="1200" height="1507" width_o="1200" height_o="1507" data-src="https://freight.cargo.site/t/original/i/ebc42b292da1585c2b95a398836a31019f1ec68bbbeaa27466da927844a5645d/miami_tampakis_0004_presumption-of-innocence.jpg" data-mid="252726183" border="0"  src="https://freight.cargo.site/w/1000/i/ebc42b292da1585c2b95a398836a31019f1ec68bbbeaa27466da927844a5645d/miami_tampakis_0004_presumption-of-innocence.jpg" /&#62;&#60;img width="1200" height="1507" width_o="1200" height_o="1507" data-src="https://freight.cargo.site/t/original/i/8f71a35d1f71b09f380e2651d8c329a88df541500bf88a3ec50dfbcb94e989f9/miami_tampakis_0005_Layer-5.jpg" data-mid="252726184" border="0"  src="https://freight.cargo.site/w/1000/i/8f71a35d1f71b09f380e2651d8c329a88df541500bf88a3ec50dfbcb94e989f9/miami_tampakis_0005_Layer-5.jpg" /&#62;&#60;img width="1200" height="1507" width_o="1200" height_o="1507" data-src="https://freight.cargo.site/t/original/i/43cb21be4e2b1f3c0fccb0e288f5faa7225daf379c058c3b62cd19f1d9c57016/miami_tampakis_0007_Layer-1.jpg" data-mid="252726185" border="0"  src="https://freight.cargo.site/w/1000/i/43cb21be4e2b1f3c0fccb0e288f5faa7225daf379c058c3b62cd19f1d9c57016/miami_tampakis_0007_Layer-1.jpg" /&#62;&#60;img width="1200" height="1507" width_o="1200" height_o="1507" data-src="https://freight.cargo.site/t/original/i/252fcfb368e51c24e8f054decfa87f97a2268e4842cf891ffacce7729796eb2c/miami_tampakis_0009_miami2.jpg" data-mid="252726187" border="0"  src="https://freight.cargo.site/w/1000/i/252fcfb368e51c24e8f054decfa87f97a2268e4842cf891ffacce7729796eb2c/miami_tampakis_0009_miami2.jpg" /&#62;At Untitled Art 2025, Enari Gallery premieres a thoughtful pairing of works by Johanna Bath and Dimitris Tampakis. Bath and Tampakis exemplify the fair’s commitment to showcasing diverse artistic practices that resonate across cultures and time. Johanna Bath’s work is driven by the concept of time and its emotional ties, memory, transience, and fleeting moments. At the same time, Dimitris Tampakis brings together four metallic mobiles, sharp like weapons, and three oxidised-on-metal photographs, forming a narrative around ancient forms of duelling. Their works engage in a dynamic interplay of contrasts, at once raw and intimate, structured and deeply human. We look forward to welcoming you to the fair.
https://www.artsy.net/article/artsy-editorial-10-best-booths-untitled-art-miami-beach-2025</description>
		
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		<title>pdf</title>
				
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		<pubDate>Mon, 22 Sep 2025 11:12:14 +0000</pubDate>

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		<title>Abandoned Cartographies and Other Odd Hours</title>
				
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		<pubDate>Mon, 22 Sep 2025 10:38:30 +0000</pubDate>

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Khetros, Casted aluminium, 2025, 132x32x4cm
‘Abandoned Cartographies and Other Odd Hours’,
CAN Gallery, Athens
Curated by Dinos Chatzirafailidis




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		<title>Delayed in Frozen Desires</title>
				
		<link>https://tampakisdimitris.com/Delayed-in-Frozen-Desires</link>

		<pubDate>Mon, 22 Sep 2025 11:26:30 +0000</pubDate>

		<dc:creator>tampakisdimitris</dc:creator>

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		<title>The Monsters I Live With</title>
				
		<link>https://tampakisdimitris.com/The-Monsters-I-Live-With</link>

		<pubDate>Mon, 22 Sep 2025 10:30:30 +0000</pubDate>

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The Monsters I Live With, Proveleggios, Athens, Greece


LEGACY DOMINANCE HOLDINGS: A Criminal CEO, 2025


Materials: banded aluminium cabinet engineered by Constantinos Schoinas


&#38;amp; casted aluminium sculpture


Dimensions: 270cm x 65cm x 30cm











AEGIS CAPITAL: The Protector Who Became a Predator, 2025


Materials: aluminum polished sheets&#38;amp;casted aluminum


Dimensions: 140cm x 80cm















WORKPLACE INCIDENT REPORT: She Closed Her Eyes to Be Adored, 2025


Materials: UV on Copper, aluminium sheet


Dimensions: 48cm x 48cm




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		<title>tyko</title>
				
		<link>https://tampakisdimitris.com/tyko</link>

		<pubDate>Mon, 07 Jul 2025 14:45:23 +0000</pubDate>

		<dc:creator>tampakisdimitris</dc:creator>

		<guid isPermaLink="true">https://tampakisdimitris.com/tyko</guid>

		<description>&#60;img width="1723" height="978" width_o="1723" height_o="978" data-src="https://freight.cargo.site/t/original/i/5115fbd8dcfcc63e295c4d3d09728fc2bf3ecfe23f145b44e22f5ae1e8b56882/TYKO-09.png" data-mid="235491726" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/5115fbd8dcfcc63e295c4d3d09728fc2bf3ecfe23f145b44e22f5ae1e8b56882/TYKO-09.png" /&#62;&#60;img width="1723" height="1036" width_o="1723" height_o="1036" data-src="https://freight.cargo.site/t/original/i/6169fef44e7d718ca91a783a236953fd7b4cdae7a621652abf262d9a5ac1993d/TYKO-13.png" data-mid="235491727" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/6169fef44e7d718ca91a783a236953fd7b4cdae7a621652abf262d9a5ac1993d/TYKO-13.png" /&#62;&#60;img width="1723" height="1036" width_o="1723" height_o="1036" data-src="https://freight.cargo.site/t/original/i/4cec70dc9c696ecedf4676d8aa1835dd9483765c89b0fe2f182195d49f6c66cf/TYKO-14.png" data-mid="235491728" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/4cec70dc9c696ecedf4676d8aa1835dd9483765c89b0fe2f182195d49f6c66cf/TYKO-14.png" /&#62;&#60;img width="1723" height="1036" width_o="1723" height_o="1036" data-src="https://freight.cargo.site/t/original/i/0fff1c98adee8a0eb99047d0e943c16b6fc9dcd1ea37f844905887cd77ab9d20/TYKO-15.png" data-mid="235491729" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/0fff1c98adee8a0eb99047d0e943c16b6fc9dcd1ea37f844905887cd77ab9d20/TYKO-15.png" /&#62;&#60;img width="1723" height="1036" width_o="1723" height_o="1036" data-src="https://freight.cargo.site/t/original/i/33c864b63e295b838f4ee0ab9165e70f8cd5a9bef7acbf1bdb9c58bef7c75899/TYKO-16.png" data-mid="235491730" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/33c864b63e295b838f4ee0ab9165e70f8cd5a9bef7acbf1bdb9c58bef7c75899/TYKO-16.png" /&#62;</description>
		
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	<item>
		<title>new CV</title>
				
		<link>https://tampakisdimitris.com/new-CV</link>

		<pubDate>Fri, 21 Mar 2025 08:18:03 +0000</pubDate>

		<dc:creator>tampakisdimitris</dc:creator>

		<guid isPermaLink="true">https://tampakisdimitris.com/new-CV</guid>

		<description>&#38;nbsp; &#38;nbsp; &#38;nbsp;
	
	&#60;img width="3024" height="3570" width_o="3024" height_o="3570" data-src="https://freight.cargo.site/t/original/i/a2f6598922c14ec51c3abd4e39e2e570b2cbab5df679c8bd3c2ecdc9e05536e8/DSC06702.jpg" data-mid="228581427" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/a2f6598922c14ec51c3abd4e39e2e570b2cbab5df679c8bd3c2ecdc9e05536e8/DSC06702.jpg" /&#62;












pdf
1991, Athens, Gr. &#38;nbsp;Lives and work in Athens, Gr

2019-2021 Master’s in Fine Arts, Athens School of Fine Arts, Athens, Greece 
2009-2015 Product and Systems Design Engineering from the University of the&#38;nbsp; Aegean, Syros, Greece


SOLO EXHIBITIONS 


2025 

FERAL NOM, solo show, Enari Gallery, Amsterdam, The Netherlands 
Careful What You Wish, duo show with Johan F Karlsson, curated by&#38;nbsp;Dinos Chatzirafailidis&#38;nbsp;at&#38;nbsp;Spaziodisplay, Parma, Italy.












Delayed in Frozen Desires, duo show with Jeanne Jacob, Bezenholz, Switcherland.


2024 

Vertigo, duo solo show with Natalia Manta, Curated by Faidra Vassiliadou Theocharakis Foundation, Athens, Greece 
At The Edge Of Comfort, duo solo show with Niki Danai Chania, Curated by UNPR18T Gallery Basia Embiricos, Paris, France 


2023 

Entropic Garden, duo solo show with Niki Danai Chania in collaboration with Onassis Stegi’s Radio, Curated by Krama festival, PS, Athens, Greece 


2022 

TWO RIMS, solo show, Curated by Leon Bajaramovic &#38;amp; Marina Leone, Bajaramovic Unlimited, Athens, Greece 


2021 

POST EUROPEAN RAGEROOM TM, duo solo show with Niki Danai Chania in collaboration with Phillipos Rskovic, Curated by Jorgina Stamogianni Centrum Gallery, Berlin, Germany 
Your ceo is probably a psychopath, solo show, Athens School of Fine Arts, Athens, Greece 
ECHO CHAMBERS, duo solo show with Phillipos Raskovic FUGA, Exploraciones Sonoras, Zaragoza, Spain 
KRAMA21, duo solo show with Niki Danai Chania, Curated by UNPR18T Keiv, Athens, Greece 




SELECTED GROUP EXHIBITIONS 

2025 

Onassis Dance Days 2025, NEAR MISSES directed by Fotini Stamatelopoulou, Onassis Stegi, Athens
CAN Art Fair (with Enari Gallery), Ibiza, Spain 
Art Rotterdam’25 (with Enari Gallery), Rotterdam, The Netherlands 












Traces of In-Between, Atrium of the municipality town hall, Syros, Greece&#38;nbsp;The Monsters I Live With, Proveleggios, Athens, Greece&#38;nbsp;Jumeler, DMW Gallery,&#38;nbsp; July 2025, Antwerp, Belgium








2024 

Home: My nest, my noose, Group Show curated by Hara Piperidou, MISC, Athens, Gr
Trifles and troupes, everything lies under the surface, Group Show curated by Ioanna Gerakidi,&#38;nbsp; The Blender Gallery, Athens, Gr
Weaving Future Mythologies on Traces of the Past, Group Show, Curated by Konstantina Soulioti Mpeles21, Athens, Greece 
POLE –&#38;nbsp;SUD Happy Days&#38;nbsp;Platform in&#38;nbsp;Strasbourg, France
SHIFTING, Group show, curated by Florent Frizet One minute space, Athens, Greece 


2023 

Xeno, Group show, Curated by Christina Mot Sigri, Lesvos, Greece Beyond Fear, Group show, Curated by UNPR18T Cultural Foundation of Tinos, Tinos, Greece 
Garden of Delete, Group show, Curated by curated by Alice Dittmar &#38;amp; Stephan Klee Haunt, Berlin, Germany 
LOST MEMORABILITIES, Group show, Curated by Amalia Kougia, National Archaeological Museum of Athens, Athens, Greece 
NON VOLATILE, Group show, curated by Faidra Vassiliadou Amphicar studio, Athens, Greece
KramaFestival, Group show, Curated by UNPR18T Romantso, Athens, Greece 
Cornucopia, Group show, Curated by Elli Leventaki Kyan, Athens, Greece 
VERDANT EDITION, Group show, Curated by Costas Voyatzi Yatzer, Athens, Greece 
LCxOMS Vol.2, Group show, Curated by Eric Stephany One minute space, Athens, Greece
2022
 

Candlelight, Group show curated by Basia Embiricos, Galerie Basia Embiricos, Paris 


2020

 

Ruins of an Εxtreme Present, Group show, Curated by UNPR18T Romantso, Athens, Greece 



</description>
		
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	<item>
		<title>Careful What You Wish For</title>
				
		<link>https://tampakisdimitris.com/Careful-What-You-Wish-For</link>

		<pubDate>Thu, 20 Mar 2025 20:53:47 +0000</pubDate>

		<dc:creator>tampakisdimitris</dc:creator>

		<guid isPermaLink="true">https://tampakisdimitris.com/Careful-What-You-Wish-For</guid>

		<description>&#60;img width="3406" height="2270" width_o="3406" height_o="2270" data-src="https://freight.cargo.site/t/original/i/53aa80da10d55acfc42b9c0dd81728f93f66ceae402b727ae4595cd144e69294/02_P1086661_0001_10_Panorama-5.jpg" data-mid="228581064" border="0"  src="https://freight.cargo.site/w/1000/i/53aa80da10d55acfc42b9c0dd81728f93f66ceae402b727ae4595cd144e69294/02_P1086661_0001_10_Panorama-5.jpg" /&#62;
&#60;img width="3406" height="2270" width_o="3406" height_o="2270" data-src="https://freight.cargo.site/t/original/i/d205681a529bb1ced1afd320cee2a177bfa4d21d50c09254979258bca4f5c5f2/02_P1086661_0000_11_P1086765.jpg" data-mid="228581063" border="0"  src="https://freight.cargo.site/w/1000/i/d205681a529bb1ced1afd320cee2a177bfa4d21d50c09254979258bca4f5c5f2/02_P1086661_0000_11_P1086765.jpg" /&#62;&#60;img width="3406" height="2270" width_o="3406" height_o="2270" data-src="https://freight.cargo.site/t/original/i/91683e0037f87c16b8ca2c7eb9c9306693c6380ec3f232c06fb17dcbc50a423b/02_P1086661_0002_09_P1086900.jpg" data-mid="228581065" border="0"  src="https://freight.cargo.site/w/1000/i/91683e0037f87c16b8ca2c7eb9c9306693c6380ec3f232c06fb17dcbc50a423b/02_P1086661_0002_09_P1086900.jpg" /&#62;&#60;img width="3406" height="2270" width_o="3406" height_o="2270" data-src="https://freight.cargo.site/t/original/i/c6e1be190b003bcefa1d1e4ffaa083d3dddede66ffa1b856ffc390a410659407/02_P1086661_0003_08_P1086858.jpg" data-mid="228581066" border="0"  src="https://freight.cargo.site/w/1000/i/c6e1be190b003bcefa1d1e4ffaa083d3dddede66ffa1b856ffc390a410659407/02_P1086661_0003_08_P1086858.jpg" /&#62;&#60;img width="3406" height="2270" width_o="3406" height_o="2270" data-src="https://freight.cargo.site/t/original/i/de2c64d2d11a6cc1df54e09dd5233777698643ee13a1dd4421056927ae478d90/02_P1086661_0004_07_P1086847.jpg" data-mid="228581067" border="0"  src="https://freight.cargo.site/w/1000/i/de2c64d2d11a6cc1df54e09dd5233777698643ee13a1dd4421056927ae478d90/02_P1086661_0004_07_P1086847.jpg" /&#62;&#60;img width="3406" height="2270" width_o="3406" height_o="2270" data-src="https://freight.cargo.site/t/original/i/c66025e932c31940f9bedc4860620c7d7f95e5e9ee6c724da125a1959d10fd86/02_P1086661_0005_06_P1086801.jpg" data-mid="228581069" border="0"  src="https://freight.cargo.site/w/1000/i/c66025e932c31940f9bedc4860620c7d7f95e5e9ee6c724da125a1959d10fd86/02_P1086661_0005_06_P1086801.jpg" /&#62;&#60;img width="3406" height="2270" width_o="3406" height_o="2270" data-src="https://freight.cargo.site/t/original/i/ea112ae01577c722351e238fff29080678de9bdc266f43f84f3a1734729e1a17/02_P1086661_0006_05_P1086781-2.jpg" data-mid="228581070" border="0"  src="https://freight.cargo.site/w/1000/i/ea112ae01577c722351e238fff29080678de9bdc266f43f84f3a1734729e1a17/02_P1086661_0006_05_P1086781-2.jpg" /&#62;&#60;img width="3406" height="2270" width_o="3406" height_o="2270" data-src="https://freight.cargo.site/t/original/i/6b8681adea8bc0c4d8fa125fe1f85f53019aab2a53e0f606f380dd281b5cd8d1/02_P1086661_0007_04_P1086728.jpg" data-mid="228581071" border="0"  src="https://freight.cargo.site/w/1000/i/6b8681adea8bc0c4d8fa125fe1f85f53019aab2a53e0f606f380dd281b5cd8d1/02_P1086661_0007_04_P1086728.jpg" /&#62;&#60;img width="3406" height="2270" width_o="3406" height_o="2270" data-src="https://freight.cargo.site/t/original/i/f4fbc93108ed6b17856be6b6aea3cbca452a8a852941f4d2628bb87b03b8af1e/02_P1086661_0008_02_P1086661.jpg" data-mid="228581072" border="0"  src="https://freight.cargo.site/w/1000/i/f4fbc93108ed6b17856be6b6aea3cbca452a8a852941f4d2628bb87b03b8af1e/02_P1086661_0008_02_P1086661.jpg" /&#62;Careful What You Wish For by Johan F. Karlsson &#38;amp; Dimitris Tampakis, curated by Dinos Chatzirafailidis, at DISPLAY, Parma, 08.02.2025 – 15.03.2025.
The exhibition Careful What You Wish For builds on an intricate interplay between vulnerability and identity, highlighting how fear and the fragility of human experience shape our understanding of self. By examining psychological dimensions of existence, the exhibited works invite viewers to confront unseen forces influencing perception and interaction. This exploration prompts reflection on the nature of bodily autonomy and the complexities inherent in navigating the boundaries between self and other.
In Abysmal (2021), Johan F. Karlsson constructs a submerged tomb shielded from sunlight. The contrast between light and darkness, with black sand absorbing and sunfilm reflecting, draws viewers into a state of self-perception as they gaze into their reflections, grappling with elements that challenge existential stability. In Transition Piece (2021), the artist recreates a spatial condition where a temperature shift evokes a sense of presence. Signs indicating the recent passage of a fleeting “other” suggest a lurking danger. When the two infrared heaters are activated, they subtly generate warmth, functioning as lifelike surrogates for familiar objects, recontextualized within their original state.
In Your CEO Is Probably A Psychopath (2021), Dimitris Tampakis employs a central mechanism built around the fear of losing control over one’s body. By crafting a fictional sinister persona shaped by an elegant yet treacherous object, the artist challenges humans’ innate need to remain alert to bodily harm in their immediate environment. With its monumental size and sharp edges, the work is predicated on threats to the body: its dissolution, fragmentation, or usurpation. N.E.T. (2023) features a graphic image of a cannibalized ancient Greek sculpture that recalls deep-seated, instinctual fears. Tampakis emphasizes the cracks on the sculpture’s surfaces, caused by religious disputes, urging a confrontation with the historical continuum of violent tendencies. Capturing a haunting, upward gaze, D.A. (2025) evokes bodily associations, while testing the limits of scale and proximity. Meanwhile, SILPHIO (2023) teases the viewer with fleeting glimpses of their reflection through the allusive form of an aluminium dissolved mirror that transcends mere physicality.
The two artists’ shared attention to the uncontrollable and the irrational fosters a psychologically charged encounter grounded in a profound exploration of collision. This is achieved through formal or stylistic variants and affective patterns, such as utilizing minimal perceptual cues or mediating heightened immediacy. Throughout the exhibition, affect arises in the midst of in-betweenness, in the capacities to act and be acted upon. By simultaneously playing off different modes of engagement, while addressing the spectator directly, all elements merge to support a constructed narrative, inducing an air of unease and probing primal aspects of the ego.

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	<item>
		<title>feral_nom_enari</title>
				
		<link>https://tampakisdimitris.com/feral_nom_enari</link>

		<pubDate>Thu, 20 Mar 2025 20:37:03 +0000</pubDate>

		<dc:creator>tampakisdimitris</dc:creator>

		<guid isPermaLink="true">https://tampakisdimitris.com/feral_nom_enari</guid>

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&#60;img width="2100" height="2799" width_o="2100" height_o="2799" data-src="https://freight.cargo.site/t/original/i/67e872b62bbb8b7bcdfb4c7aee7aa17d3708f33038f5baaf40cb0d4cc3c6be11/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_52.JPG" data-mid="228570127" border="0"  src="https://freight.cargo.site/w/1000/i/67e872b62bbb8b7bcdfb4c7aee7aa17d3708f33038f5baaf40cb0d4cc3c6be11/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_52.JPG" /&#62;.&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="2100" height="2799" width_o="2100" height_o="2799" data-src="https://freight.cargo.site/t/original/i/929ef6a98383af7e851ec1a7ecc1c7c0f293a924707c93ccbed574badd1e424f/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_55.JPG" data-mid="228570128" border="0"  src="https://freight.cargo.site/w/1000/i/929ef6a98383af7e851ec1a7ecc1c7c0f293a924707c93ccbed574badd1e424f/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_55.JPG" /&#62;&#60;img width="2799" height="2100" width_o="2799" height_o="2100" data-src="https://freight.cargo.site/t/original/i/dd89f956e4c7381cce4bb1e258abb9310c00a8accbe73c1e919cac61bf7bf3cb/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_59.JPG" data-mid="228570130" border="0"  src="https://freight.cargo.site/w/1000/i/dd89f956e4c7381cce4bb1e258abb9310c00a8accbe73c1e919cac61bf7bf3cb/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_59.JPG" /&#62;&#60;img width="2100" height="2625" width_o="2100" height_o="2625" data-src="https://freight.cargo.site/t/original/i/8cd01a6d3fd7086c1c14f6cb02bddeaacbdcc2147a5ba3491d1df5ff498c4743/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_64.JPG" data-mid="228570131" border="0"  src="https://freight.cargo.site/w/1000/i/8cd01a6d3fd7086c1c14f6cb02bddeaacbdcc2147a5ba3491d1df5ff498c4743/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_64.JPG" /&#62;.&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="2100" height="2625" width_o="2100" height_o="2625" data-src="https://freight.cargo.site/t/original/i/846eccedcca5aa64d8df9a6d914102742c95ae5b181a0f265490ba46c1eb9357/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_65.JPG" data-mid="228570132" border="0"  src="https://freight.cargo.site/w/1000/i/846eccedcca5aa64d8df9a6d914102742c95ae5b181a0f265490ba46c1eb9357/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_65.JPG" /&#62;&#60;img width="2100" height="2625" width_o="2100" height_o="2625" data-src="https://freight.cargo.site/t/original/i/8db56f32320ed115b276ec7060c26fd46d70c6de6d8b4c4ce9309ffc8f683830/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_73.JPG" data-mid="228570133" border="0"  src="https://freight.cargo.site/w/1000/i/8db56f32320ed115b276ec7060c26fd46d70c6de6d8b4c4ce9309ffc8f683830/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_73.JPG" /&#62;.&#38;nbsp; &#38;nbsp;&#60;img width="2100" height="2625" width_o="2100" height_o="2625" data-src="https://freight.cargo.site/t/original/i/3e5ee32fd9db07dc0b9898e83fed52d9f2f0b85de590999bccc0ae46ecba01f3/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_74.JPG" data-mid="228570134" border="0"  src="https://freight.cargo.site/w/1000/i/3e5ee32fd9db07dc0b9898e83fed52d9f2f0b85de590999bccc0ae46ecba01f3/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_74.JPG" /&#62;&#60;img width="2100" height="2625" width_o="2100" height_o="2625" data-src="https://freight.cargo.site/t/original/i/858d75876e70073ab0f832e64ac3f86be099bc5186164f1fbed23f40274b5332/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_76.JPG" data-mid="228570136" border="0"  src="https://freight.cargo.site/w/1000/i/858d75876e70073ab0f832e64ac3f86be099bc5186164f1fbed23f40274b5332/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_76.JPG" /&#62;.&#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="2100" height="2625" width_o="2100" height_o="2625" data-src="https://freight.cargo.site/t/original/i/57a8e796743281090cc7deb2aee4c173894bd41653409e438e40a34f50302cdd/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_78.JPG" data-mid="228570137" border="0"  src="https://freight.cargo.site/w/1000/i/57a8e796743281090cc7deb2aee4c173894bd41653409e438e40a34f50302cdd/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_78.JPG" /&#62;&#60;img width="2100" height="2799" width_o="2100" height_o="2799" data-src="https://freight.cargo.site/t/original/i/2193f7231ebd79c6613872aceebcb5a428d86892696fde29e47ee28ee518a03d/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_87.JPG" data-mid="228570138" border="0"  src="https://freight.cargo.site/w/1000/i/2193f7231ebd79c6613872aceebcb5a428d86892696fde29e47ee28ee518a03d/Enari_Tampakis-D_Web-Res_JdeWaart_27.2.25_87.JPG" /&#62;Modernity’s relentless pursuit of safety and control has rendered the world a sterile, suffocating environment. This obsession with stability suppresses conflict, freedom, and genuine connection, concealing an underlying instability. Cracks form in the system, hinting at a latent chaos that challenges its fragile foundations and opens spaces for transformation. &#124; From these fissures emerges a neo-tribal collective that thrives not in engineered safety but in the raw vitality of uncertainty. Here, security is not imposed through control but forged through trust, nurtured by shared risk and vulnerability. True connection and creativity flourish when individuals break free from alienation and rediscover their primal instincts. &#124; The reconfiguration of human relationships through transgression and trauma exposes the unsettling allure of extremes. Similarly, on a night drive through the wilderness, nature appears as radiant silver light, its beauty amplified by the starkness of the journey. In another moment, two riders revel in the sheer pleasure of speed, their trust in themselves and each other defying the pull of fear. In these instances, the peak of risk becomes the apex of vitality, where they truly feel alive.This collective resists the choreography of modernity. Their movements reclaim the body from commodification, transforming it into a vessel of instinctual expression. Unity is not dictated by control but arises from interdependence and collective trust. The cracks in the mechanical world reveal its inherent fragility, and within these openings, this tribe flourishes—not to restore the old, but to embrace the chaotic vitality that modernity seeks to suppress. &#124; For them, the "wild" is not regression but transformation—a return to the primal rhythms that reconnect humanity with its deeper instincts. By embracing the unpredictable and trusting in the process, they reinvent existence. In the luminous cracks of the modern world, destruction and creation coexist, offering spaces for renewal and authentic connection. &#124; Relentless drive toward efficiency and utility strips relationships of depth, rendering them transactional. In this landscape of flattened connections and relentless commodification, a tribe refuses the sterile confines of modernity, choosing instead to embrace chaos, risk, and transformation. &#124; This tribe emerges not from tradition or ideology but from a shared awareness of the world’s inherent fragility. Their existence is not an escape but an engagement—a deliberate immersion into the raw, untamed forces that modern systems seek to suppress. The cracks within these systems, far from being mere faults, become sites of emergence, revealing the potential for something unpredictable and alive.FERAL NOM is a vision of rupture and renewal. These fractures are not failures but openings, moments where the rigid structures of modernity falter and new possibilities seep through. The tribe’s movements through this terrain reflect an embrace of uncertainty, where the body—once a cog in the machine—is reclaimed as a site of instinct, expression, and transformation. Their unity is not forged through control or ideology but through shared vulnerability and risk.Within the fractures, dissolution and creation intertwine. The tribe draws strength from chaos, finding power in the dismantling of restrictive systems. Freed from commodification, their bodies become instruments of spontaneous, visceral expression. Their unity arises from acts of trust and defiance, a collective commitment to transformation rather than preservation.The process of transformation is neither linear nor gentle. It strips away identities and constructs, revealing connections unmediated by systems of control or profit. Trust becomes the currency of this existence, and risk its only certainty. The tribe’s journey into the unknown embraces unpredictability as the essence of life, turning instability into a source of strength.Cracks and chaos are not threats but invitations—pathways to reinvention and renewal. The luminous residue leaking through these fractures speaks of abandoned desires and discarded identities, shimmering with the potential for obliteration and rebirth. These ruptures expose not only the fragility of the systems that seek to contain them but also the vitality of what lies beneath.The tribe’s bond transcends the polished surfaces of modernity. Their connection is feral, primal, rooted in instinct and the mutual recognition of fragility and strength. Cracks are not barriers but gateways to new ways of being. They move through these fractures, leaping into the unknown not in surrender but in celebration of life’s luminous unpredictability.In this space, the feral emerges as a reclamation of unmediated presence and visceral knowledge. This feral trust is not a regression but a transformation, a return to the body’s innate rhythms and instincts. In their silent agreements and shared gestures, the tribe finds its rhythm—one of instinct over logic, trust over certainty. Their loyalty, forged in shared vulnerability, becomes a counterforce to the instability of the world—a fierce embrace of the chaos that sustains them.
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	<item>
		<title>stay connected</title>
				
		<link>https://tampakisdimitris.com/stay-connected</link>

		<pubDate>Mon, 13 Nov 2023 17:51:14 +0000</pubDate>

		<dc:creator>tampakisdimitris</dc:creator>

		<guid isPermaLink="true">https://tampakisdimitris.com/stay-connected</guid>

		<description>&#60;img width="1300" height="1473" width_o="1300" height_o="1473" data-src="https://freight.cargo.site/t/original/i/d74d643cfc007792875b8f6b518912ac1c7fc9b7ba738f312cdb9d85fcb5e165/stay2023.jpg" data-mid="196731493" border="0"  src="https://freight.cargo.site/w/1000/i/d74d643cfc007792875b8f6b518912ac1c7fc9b7ba738f312cdb9d85fcb5e165/stay2023.jpg" /&#62; 

2022, aluminum, arduino equipment, pla cloth ‘Stay Connected, Stay Productive’ is an interactive piece for the "Beyond Fear" exhibition in Tinos, exploring the pervasive nature of our digital lives and the impact of smartphones on personal interactions. The sculpture symbolizes technology's omnipresence, resembling cell phone antennas. Generated by AI, the text and sound highlight how our data shapes machines that dictate our actions. The artwork prompts reflection on the influence of technology, questioning our independence in the digital age. The piece poses a poignant question: Do you feel independent? The pressure to always be available online triggers dopamine release, reinforcing dependence. Striving for perfection in our digital personas can lead to dissatisfaction with reality. Set in Tinos, where limited signal coverage breaks digital dependency, the artwork urges us to reassess our connection to technology. It calls for regaining control over data-driven orders and rediscovering genuine human connections.






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